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The movie seeks to articulate and mainstream the politics of the marginalised communities and radically locates such politics in dignity, recognition, and socio-economic mobility.Īt the same time, the movie cautions against the furthering of the politics of the marginalised through regressive ritual pride and violence as pivots. Karnan, his recent directorial venture with Dhanush, Lal Paul, Natarajan Subramaniam, Rajisha Vijayan, Yogi Babu and others is one such meticulously woven film.
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However, the director of the movie in question, Mari Selvaraj, is one among the few who explicitly claim to be disseminating socio-political and cultural ideas through their movies. Two, many a time, the makers of the films, writers and/or directors wish to shy away from claiming the existence of a political quotient in their films. One, a set of films have turned out to be outcomes of lazy and misinformed politics and therefore dissemination of such political ideas is a worrying trend. Of late, there are two sets of concerns emerging in the film space.
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The same set of people are the viewers, and thereby there is often blurring of such a difference. Renowned director Vetrimaran said that there are no exclusive art film audiences and commercial film audiences per se in Tamil Nadu. For over seven decades now, films have been an active medium of politicisation.